Synopsis:
ASIFA-Hollywood presents, “A conversation with John Musker and Ron Clements (Masterclass)” at the Annecy Film Festival.
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The festival’s creative director Hämid Shajarian interviews the participants of the National Competition category of Animatricks 2021: Tove Johnson – Jumalolento by Juho Maurinen (2019), Left Behind by Minna Eriksson (2020), Rinse and Shine by Iiris Korjus ja Katariina Haukka (2021), The Things I Saw: Monday by David Graham (2020), Bad to the boner by Robert Lönnqvist (2021), Tiedänkö mitä etsin by Ylva-Lii Wahlström (2019)
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Austrian animation director and media-artist Reinhold Bidner is working in the fields of animation, media art and games. In his Masterclass Encounters & Inbetweens, Reinhold talks about and discuss his artistic animated experiments in between various disciplines, formats and techniques. He will also present images and video excerpts. The session was moderated by Animatricks Creative Director Hämid Shajarian.
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The lecture covers animation in the context of new media and how it changes under the influence of other types of contemporary art, such as games, performance, installation. What kind of new animation tools emerged? How to use bugs and mistakes in search of innovation? How to use AI in contemporary animation?
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- Experimental
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Pixar has been at the forefront of 3D animation innovations for nearly 30 years, developing new methods and technologies with nearly every new project. With their newest feature film “Elemental” hitting theaters, we take a look back at the ways Disney/Pixar has evolved over time. The studio has made advancements in how characters move, going from robotic motion in 1995’s “Toy Story” to characters who can intricately play music in “Coco” and “Soul.” In the early Pixar days, human characters were hidden in the shadows, but breakthroughs in movies like “The Incredibles” and “Brave” paved the way for more believable human characters. And clothes, which were once stiff, took center stage in “Onward” thanks to innovations from movies like “Monsters Inc.”
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In this MasterClass, the artist Aurora Gasull discussed her fascinating journey through what became known as Visual Music, abstract cinema, absolute cinema…; her personal motivations and tools at the beginning of this path, and their development until today, in chronological order.
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- Non-narrative
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Creative Europe Desks NL and Luxembourg, together with Kaboom Animation Festival, organized an interactive online session to learn all about the ins and outs of highly acclaimed European training initiatives The Animation Workshop, CEE Animation & La Poudrière. This recording of the Masterclass gives insights into how these programs tailored to the animation industry promote expertise and help you build and nurture a professional network across Europe.
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Join LALIFF and LatinX in Animation as we host LatinX short animation filmmakers from LALIFF Connect 2020. Moderated by Simón Wilches-Castro (Creative Director, Titmouse) and José Iñesta (CEO, Pixelatl), we will discuss the inspiration and structure behind the experimental animated shorts and explore the themes touched upon these shorts.
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Behind the scenes of Cars with Academy Award-winning filmmaker John Lasseter in this interview about the making of Pixar’s beloved animated film. As the creative director of Pixar since its founding and the Chief Creative Officer of both Walt Disney Animation Studios and Pixar Animation Studios, John Lasseter shares fascinating insights into the creative process, storytelling and technical innovations that brought Cars to life.
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Candaş Şişman, an artist who manipulates human perceptions using different disciplines, talks about his multi-sensory installations that appeal to different senses at the same time, and the production processes of his experience-centered projects.
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- Experimental
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In this presentation, experimental animator Jon Gillie will discue his early work in moving image, using analogue and digital mediums. Illustrating with examples, he discussed some influences in his work, approaches to abstraction, and the importance of sketching.
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Katariina Lillqvist is well known of her puppet animations. Her latest short animation Last Matador (2021) has just been released and will be seen in Animatricks 2021! In this masterclass Katariina will present her career, talk about puppet animation and about her study and work experience in Czech Republic.
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Director interview with Michaela Mihalyi & Carolina Sandvik.
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